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| Intervenció
al PavellÓ: Iñaki Bonillas |
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The Mies van der Rohe Foundation and ProjecteSD are
proud to present Intervenció al Pavelló, a project by artist
Iñaki Bonillas specifically conceived for the Mies Van der Rohe
Pavilion in Barcelona. The link between Iñaki Bonillas´work and architecture is not accidental. From the beginning of his artistic career he´s been developing projects where architecture, the idea of space and light are present. His work Untitled created specifically for Casa Barragan in the context of the exhibition The Air is Blue curated by Hans Ulrich Obrist, deserves special mention. In his new Intervention at the Barcelona Mies van der Rohe Pavilion, Bonillas presents a subtle intervention. A change in light and colour on one of the walls in the pavilion to recall Luis Barragán architectural conception of color and space. This work also highlights some of the geo-specifics of Bonillas´s artistic practice. It might not particularly show all that well in his work, but both Barragan’s use of color and space have proven to be very influential. In Bonillas own words: “A trip I took in the cities
in Africa and Europe mentioned by Luis Barragán as a source of
inspiration for his Escritos y Conversaciones, was the origin of the project
which later on I presented at Casa Barragán in the exhibition The
Air is blue, curated by Hans Ulrich Obrist. Back in Mexico D.F., I visited
some of the works by Barragán, and I ended up noticing a small
green blank board, sustained by three legs in the outskirts of the Vallarta
de Arboledas school, in Mexico State. Later, back in the city, visiting
the house of Barragán in Tacubaya colony, I found a small nail
left on the huge white surface of a wall, and I hung on it the picture
I previously took from the small green board. Unconciously this small
gesture became my contribution to the exhibition at Casa Barragán.
Two years later in Barcelona, thinking about the idea behind my own Photography
at Casa Barragán, the possibility came up to present an intervention
proposal for the Mies van der Rohe Pavilion. On my visit there, I noticed
a glass wall with much greater luminosity than the rest of the glass walls.
It took me several minutes to realize that the wall was a natural lightbox
created by an opening on the rooftop. That glass wall, the colour of the
light and Barragán himself, came together on my mind to give shape
to an intervention project in the pavilion: a “Mexican pink lightbox”.
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Iñaki Bonillas (Mexico D.F., 1981) In parallel to Intervenció al Pavelló, ProjecteSD presents, Archivo JR Plaza, Iñaki Bonillas´ first solo exhibition in Spain. Both proposals approach two different areas in Bonillas work: his reflection around light and time and the work based on the aesthetics of the archive. Further information: |
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With the support of the Culture 2000
programme of the European Union ![]() |
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