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MEDITERRANEAN WINDOWS
FLOATING POINT
Naumon, La Biennale di Venezia,
September 9 – 11
Barcelona
October 9 – 21
Six comparable landscapes
During the second half of the 20th century, the majority of European
cities were subject to phenomena of violent exchange (immigration,
tourism...) and/or emergency situations (wars, natural catastrophes...)
that still generate the relentless destruction of their recognisable
urban fabrics, resulting in the sudden emergence of new opportunities
for construction. During this period, almost all cities were forced
to build new housing block developments on their outskirts that
disregard the ideas of the Modern Movement concerning typologies
and urbanism. The outcome is the rise of new ghettos characterised
by deficient connections with the historical city centre, a lack
of qualified public space, defective construction and a rigid, unimaginative
typological approach to public housing design.
The Mediterranean Windows installation will present a common landscape
of neighbourhoods belonging to different Mediterranean cities and
generate a series of architectural workshops the purpose of which
is to analyse and propose alternatives to these comparable urban
environments.
Athens, Barcelona, Beirut, Istanbul, Marseilles and Venice are the
first six chosen cities in which to embark on research with the
aim of developing common strategies in the definition of social
housing and public space as two compatible systems that may be conceived
as a unit and serve as a transformation tool of deteriorated urban
environments.
Six windows
The Mediterranean Windows project presents a unique audio-visual
landscape of neighbourhoods sharing similar urban conditions and
belonging to different cities. A multiple-screen installation in
a ‘loop’ to show simultaneously the six chosen neighbourhoods
carried out during the Workshop. Six identical trips to six different
places. Predetermining certain ‘items’ in order to show
some places where one might take a look and embark on a trip to
discover them in a process that repeats itself six times. All locations
share the same series of descriptive sequences, from the arrival
at the cities’ harbours to the sights filmed from a window
in a neighbourhood dwelling.
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Original idea:
Josep Bohigas
Film direction:
Fotoleve – José González and Eva Serrats
Producer:
Fundació Mies van der Rohe
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