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Iñigo Manglano-Ovalle
Born in Madrid, Spain, 1961
Lives in Chicago, Illinois
Education
1989 M.F.A. Sculpture, The School of the Art Institute of Chicago, Chicago, IL
1983 B.A. Art and Art History, B.A. in Latin American and Spanish Literature, Williams College, Williamstown, MA
Awards & Fellowships
2001 John D. and Catherine T. MacArthur Foundation Fellow
1997 - 2001 Media Arts Award, Wexner Center for the Arts, Columbus, OH.
1998 - 2000 Media Arts Residency, Henry Art Gallery, University of Washington, Seattle.
1997 ArtPace Fdn. International Artist Residency Fellowship, San Antonio, TX.
1995
National Endowment for the Arts Visual Artist Fellowship
Orion Fellow, University of Victoria, British Columbia, Canada
Great Cities Fellowship, College Urban Planning, University of Illinois at Chicago, IL
1994 Neighborhood Arts Program Grant, City of Chicago Dept. of Cultural Affairs, IL
1992 Illinois Arts Council Artist Fellowship Award
Solo Exhibitions
2002
Max Protetch Gallery, New York
Barcelona Pavilion, Mies van der Rohe Foundation, Barcelona
2001
Cranbrook Art Museum, Bloomfield Hills, MI. Curated by Irene Hoffman. Traveling to Rose Art Museum, Waltham, MA
Cleveland Center for Contemporary Art, Cleveland, OH
Orange County Museum of Art, Newport Beach, CA
Palm Beach Institute of Contemporary Art, Lake Worth, FL.
2000
Climate, Max Protetch Gallery, New York
Clock, Wexner Center for the Arts, Columbus, OH
Banks in Pink and Blue, Henry Art Gallery, University of Washington, Seattle
1999 Le Baiser, Institute of Visual Arts, University of Wisconsin, Milwaukee, WI
Sonambulo II (Blue) Semi-Permanent Site-Specific Installation, Chicago Art Institute, Chicago, IL
1998 Garden of Delights, South Eastern Center for Contemporary Arts, Winston-Salem, NC
Iñigo Manglano-Ovalle, Max Protetch Gallery, New York, NY
The El Niño Effect, Christopher Grimes Gallery, Santa Monica, CA
1997
Game of Jacks, Instituto Cultural Cabañas Museum, Guadalajara, Mexico
The El Niño Effect, ArtPace Foundation Contemporary Art, San Antonio, TX
Woofer, Contemporary Arts Center, Cincinnati, OH
Woofer, Galerie Froment & Putman, Paris, France
Balsero, Museum Of Contemporary Art, Chicago, IL
Flora and Fauna, Rhona Hoffman Gallery, Chicago, IL
1996
Bouquet (from the Bloom series), Real Art Ways, Hartford, CT
Iñigo Manglano-Ovalle, Andrea Rosen Gallery, NY
1995
Iñigo Manglano-Ovalle, Feigen Inc., Chicago, IL
1994
Balsero, Thomas Blackman Associates, Chicago, IL
Torch, installation, IMAGE Film and Video Center, Atlanta, GA
1993
Cul-De-Sac: A Street-Level Video Installation, Museum of Contemporary Art, Chicago, IL
Tele-vecindario: A Street-Level Video Block Party. "Culture in Action: A Public Art Program by Sculpture-Chicago", curated by Mary Jane Jacob, Chicago, IL
1992
Aliens who..., New Langton Arts, San Francisco, CA
1991
Assigned Identities, Centre Gallery, Miami-Dade College, Miami, FL
1989
Gallery (in-ste'lashen), n., Gallery 2, Chicago, IL
Group Exhibitions
2002
Tempo, Museum of Modern Art QNS, Long Island City, NY
Moving Pictures, Guggenheim Museum, New York
gene(sis): Contemporary Art Explores Human Genomics, Henry Art Gallery, Seattle, WA
2001
Mies in America, Whitney Museum of American Art, New York, NY. Traveling to Canadian Center for Architecture, Montreal, Canada; Museum of Contemporary Art, Chicago, IL. Curated by Phyllis Lambert.
What's New: Recent Acquisitions in Photography, Whitney Museum of American Art, New York
Search, a site-specific project commissioned by InSITE 2000, San Diego, CA and Tijuana, Mexico. Curated by Ivo Mesquita, Osvaldo Sanchez, Sally Yard and Susan Buck-Morris. Presented by Installation Gallery, San Diego, CA and Instituto Nacional de Bellas Artes, Mexico City, Mexico
Yuri at Schindler, included in an exhibtion at the Schindler House, MAK Center for Art and Architecture, Los Angeles, CA. Curated by Daniela Zyman, Austrian Museum of Applied Arts, Vienna, Austria.
Empathy: Beyond the Horizon, Pori Art Museum, Pori, Finland
2000
Ultra Baroque: Aspects of Post Latin American Art, Museum of Contemporary Art, San Diego, CA. Travels to Modern Art Museum of Fort Worth, TX; San Francisco Museum of Modern Art, San Francisco, CA; Art Gallery of Ontario, Toronto, Canada; Miami Art Museum, Miami, FL; Walker Art Center, Minneapolis, MN
Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago IL
Biennial 2K, Whitney Museum of American Art, New York, NY
Things We Don't Understand, Generali Foundation, Vienna, Austria
INSITE 2000, INSITE, San Diego, CA and Tijuana Mexico
Interventions, Milwaukee Art Museum, Milwaukee, WI
Eiszeit (Ice Age), KunstMuseum, Bern, Switzerland
1999
Best of the Season: Selected Work from the 1998-99 Gallery Season,
Aldrich Museum of Art, Aldrich, CT.
Searchlight: Consciousness at the Millennium, California
College of Art and Crafts, San Francisco, CA.
As Above, So Below: The Body's Equal Parts, Fabric Workshop and Museum, Philadelphia, PA.
ARCO, International Artist Project Room, ARCO, Madrid, Spain.
The Self, Absorbed, Bellevue Art Museum, Bellevue, WA
Amnesia, The Contemporary Arts Center, Cincinnati, OH, Biblioteca Luis Angel Arango, Bogota, Columbia, and The Bronx Museum of Fine Arts, Bronx, NY.
Digital Sites, Numark Gallery, Washington, DC.
Transmute, Museum of Contemporary Art, Chicago, IL
Niños de la calle (Street Kids), Museo Alejandro Otero, Caracas, Venezuela
1998
Amnesia, Christopher Grimes Gallery and Track 16 Gallery, Santa Monica, CA.
XXIV Bienal Internacional de São Paulo, São Paulo, Brazil.
Contemporary Art Collections, Arizona State University Art Museum, Nelson Fine Arts Center, Phoenix, AZ
Hip, Rocket Gallery, London
Then and Now, Terrain Gallery, San Francisco, CA
1997
Recent Acquisitions, The Bohen Foundation, New York, NY
1996
Human Technology, Revolution, Detroit, MI
Art in Chicago 1945-1995, Museum of Contemporary Art, Chicago, IL
Video Sans Titre, Galerie Froment & Putman, Paris, France
Selections from the Moral Imagination, Plug In, Winnipeg, Canada
Second sight: Printmaking in Chicago 1935-1995, Block Gallery, Northwestern University, Evanston, IL
Elbow Room, Art Chicago 1996, Chicago, IL
Dark Planet, Terrain, San Francisco, CA
Untitled, Gallery 312, Chicago, IL
Push Pause, Randolph Street Gallery, Chicago, IL
Miami Warehouse Project, Miami, FL
1995
New Works II, Feigen, Inc., Chicago, IL
Radius, Radius Group, Chicago, IL
Correspondences/Korrespondenzen, Chicago Cultural Center, Chicago, IL
Cultural Connections: Explorations of Cultural Identity, Spaces, Cleveland, OH
Xicano Progeny: Redefining the Aesthetic - Toward a New Vision of American Culture, The Mexican Museum, San Francisco, CA.
1994
Latin American Art in Miami Collections, Lowe Art Museum,
University of Miami, FL
Correspondences/Korrespondenzen, Berlinische Galerie Museum für Moderne Kunst, Berlin, Germany
Urban Masculinity, Real Art Ways Hartford, CT
Changing Views, Feigen, Inc., Chicago, IL
1993
Urban Masculinity, Longwood Arts Gallery, Bronx, NY
The Year of the White Bear, organized by Guillermo Gómez-Peña and Coco Fusco, Otis Gallery, Los Angeles, CA
Mixed Messages: A Survey of Recent Chicago Art, Forum Center for Contemporary Art, St. Louis, MO
What you wear, where you wear it. Are you a prisoner of fashion?, "Billboard Project" Commissioned by University of Illinois at Chicago, IL
New Works: Group Show, Feigen Gallery, Chicago, IL
1992
The Year of the White Bear, organized by Guillermo Gómez-Peña and Coco Fusco, Mexican Fine Arts Center and Museum, Chicago, IL.
Artist's Auction, New Langton Arts, San Francisco, CA
Divided Colors, "Billboard Project," Commissioned by University of Illinois at Chicago, IL
Tele-Mundo, Terrain Gallery, San Francisco, CA
Bookmarks, Northern Illinois University Art Gallery, curated by White Walls: a Journal of Language and Art, Chicago, IL
The Year of the White Bear, organized by Guillermo Gómez-Peña and Coco Fusco, Walker Arts Center, Minneapolis, MN
Choice Work: Group Show, Roy Boyd Gallery, Chicago, IL
Los Encuentros, Betty Reimer Gallery, School of the Art Institute of Chicago, IL
From Americas Studio: Drawing New Conclusions, Curated by James Yood, Betty Reimer Gallery, School of the Art Institute of Chicago, IL
Multiples, Randolph Street Gallery, Chicago, IL
Misadventures, Curated by Dan Peterman, University of Wisconsin, Eauclaire, WI
Disorient: Perspectives on Colonialism, Curated by Doug Ischar and Silvia Malagrino, Gallery 400, University of Illinois at Chicago, IL
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Bibliography
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New Entries
Paradise Now: Picturing the Genetic Revolution, 76-77. Saratoga Springs, New York: The Tang Teaching Museum and Art Gallery at Skidmore College, 2000.
Armstrong, Elizabeth "Impure Beauty," in Ultra Baroque, Aspects of Post Latin American Art, 9-10. San Diego: Museum of Contemporary Art San Diego, 2001.
Buergel, Roger M. and "Das Erzahlbild/Narrative Image," In Dinge, Die Wir Nicht
Ruth Noack Verstehen (Things We Don't Understand), 51-86.Vienna, Austria: Generali Foundation, 1999.
Hoffman, Irene "In the Presence of Mies," In Iñigo Manglano-Ovalle, 6-15. Bloomfield Hills, MI: Cranbrook Art Museum, 2001.
Moreno, Gean "The Politics of Pleasure," In Iñigo Manglano-Ovalle, 33-39. Madrid, Spain: Galeria Soledad Lorenzo, 2001.
Novakov, Anna "Nowhere to Hide," In Iñigo Manglano-Ovalle, 52-57. Bloomfield Hills, MI: Cranbrook Art Museum, 2001.
Rush, Michael "Interview with Iñigo Manglano-Ovalle," In Iñigo Manglano-Ovalle, Cranbrook Art Museum, 2001: 58-61.
Public collections
The Bohen Foundation, New York, NY
The Solomon R. Guggenheim Foundation, New York, NY
The MacArthur Foundation, Chicago, IL
The Whitney Museum of American Art, New York, NY
The Art Institute of Chicago, Chicago, IL
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, San Diego, CA
ArtPace, San Antonio, TX
Metropolitan Bank and Trust Collection, Highland Hills, OH
The Refco Collection, Chicago, IL
The Linc Collection, Chicago, IL
Fundacion Cisneros, Caracas, Venezuela
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