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MEDITERRANEAN WINDOWS
FLOATING POINT
Naumon, La Biennale di Venezia,
September 9 – 11
Barcelona
October 9 – 21
Six comparable landscapes
During the second half of the 20th century, the majority of European cities
were subject to phenomena of violent exchange (immigration, tourism...)
and/or emergency situations (wars, natural catastrophes...) that still
generate the relentless destruction of their recognisable urban fabrics,
resulting in the sudden emergence of new opportunities for construction.
During this period, almost all cities were forced to build new housing
block developments on their outskirts that disregard the ideas of the
Modern Movement concerning typologies and urbanism. The outcome is the
rise of new ghettos characterised by deficient connections with the historical
city centre, a lack of qualified public space, defective construction
and a rigid, unimaginative typological approach to public housing design.
The Mediterranean Windows installation will present a common landscape
of neighbourhoods belonging to different Mediterranean cities and generate
a series of architectural workshops the purpose of which is to analyse
and propose alternatives to these comparable urban environments.
Athens, Barcelona, Beirut, Istanbul, Marseilles and Venice are the first
six chosen cities in which to embark on research with the aim of developing
common strategies in the definition of social housing and public space
as two compatible systems that may be conceived as a unit and serve as
a transformation tool of deteriorated urban environments.
Six windows
The Mediterranean Windows project presents a unique audio-visual landscape
of neighbourhoods sharing similar urban conditions and belonging to different
cities. A multiple-screen installation in a ‘loop’ to show
simultaneously the six chosen neighbourhoods carried out during the Workshop.
Six identical trips to six different places. Predetermining certain ‘items’
in order to show some places where one might take a look and embark on
a trip to discover them in a process that repeats itself six times. All
locations share the same series of descriptive sequences, from the arrival
at the cities’ harbours to the sights filmed from a window in a
neighbourhood dwelling.
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Original idea:
Josep Bohigas
Film direction:
Fotoleve – José González and Eva Serrats
Producer:
Fundació Mies van der Rohe
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